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In the film, Milan Klepikov deals with the end of the world on the border of experiment and poetic documentary, at least as defined by the poet Petr Král. According to him, children are born into a world that has already ended. To understand how the young generation itself views this concept, and at the same time record the end of cinematography as we know it to this day, Klepikov creates a film sketchbook by an orderly hunt of visual and auditory data, dominated by fragments of lives of young actors who seem to have passed the end of the world, but also face the long years of the future ahead.
In the film, Milan Klepikov deals with the end of the world on the border of experiment and poetic documentary, at least as defined by the poet Petr Král. According to him, children are born into a world that has already ended. To understand how the young generation itself views this concept, and at the same time record the end of cinematography as we know it to this day, Klepikov creates a film sketchbook by an orderly hunt of visual and auditory data, dominated by fragments of lives of young actors who seem to have passed the end of the world, but also face the long years of the future ahead.